This article originally appeared on Haulix Daily.
Before I dive too deep into this piece, I want to stress that I am a huge supporter of streaming services in general. The age of streaming has made it possible for artists at every level to continue making money on older releases long after consumer interest in purchasing those titles has been depleted.
We can argue all day about whether or not the royalty rate is acceptable (it’s not), but that is another conversation for another time. Streaming provides a steady stream of income for artists even when they have nothing new to promote, which in turn makes it possible for more artists to continue creating even when their latest release is less than well received by the general public.
The more I think about the digital age and how it has impacted the entertainment industry as a whole, the more I realize that the film industry may have handled the war against piracy far better than those working in music. Unless a film is being released on VOD (video on demand), those interested in seeing a new title still have to buy a ticket and visit a theater in order to experience the film immediately following its release.