Anybody can find the chord charts for every chord imaginable with just a few clicks. However, knowing all the chords and using them in practice are different things altogether. The following progressions are not terribly difficult as far as jazz goes, but they can be a great addition to any guitarist's skill set. Give these common jazz progressions some time in your routine to see if they can influence your songwriting and playing. They're the logical first steps towards getting a good feel for what jazz guitar is all about. Plus, the skills that come along with jazz guitar can easily transfer into other genres!
Countless jazz standards feature a ii, V, I progression, which is why it's such a good starting point for studying jazz on any instrument. Also, it sounds a whole lot cooler than the tired old I, IV, V, even though they are similar.
This progression starts from the tenth fret. The notation below presents an easy starting point for anyone who is unfamiliar with jazz.
This major turnaround functions much like any turnaround would in the blues. It leads the ear back to the beginning of a progression. This is accomplished by creating tension with dissonance, then resolving it with consonance.
This I, VI, ii, V turnaround showcases the classic jazz strategy of bending the rules of music theory. In this case, the VI will be an A7b9 chord (where an Am7 chord would make sense according to traditional music theory). This makes the A7b9 very dissonant and laden with tension. However, it allows the following chord, Dm7, to sound more consonant, which is part of what creates the turnaround effect. The theory behind this is that the A7b9 is actually acting as a fifth chord to the Dm7 chord, so the consonant sound of a drop from a V chord to a I chord is created. The Dm7 resolves the tension from the A7b9, creating an effective turnaround.
Now that we have illustrated the concepts of a progression and a turnaround, we can combine them to create a section. Jazz tunes are often divided into sections that have different chord progressions. On a sheet of music, they're typically denoted by letters. So, for instance, section A would start the song and end with a turnaround before repeating or moving on to section B.
Previously, we played the progression "long," meaning that each chord change got a full measure. In this example, we're playing the progression "short," which means that each chord change gets half a measure. Get this progression down to be on the right steps towards learning jazz guitar.
If you're new to jazz, this easy progression is a good first step towards gaining an understanding of how chord progressions work, and is also a great introduction to the genre. It's a simple one to incorporate a walking bassline into, as well, if that piques your interest.
If you'd like to see more jazz concepts in future blog posts, don't be afraid to speak up in the comments section below!
All tabs created by Matthew Wendler using Power Tab Editor.
Matthew Wendler is a blogger and multi-instrumentalist from New Jersey. He specializes in guitar, bass guitar, and bagpipes, and is passionate about writing both professionally and for enjoyment. His personal blog can be followed on Twitter at @ymiatvmi.