Ever been to an outdoor concert when the transition between bands dragged on and the audience started to drift away? You practice the music, but successful performers also plan and practice the setup and transitions so that the audience can focus on the music instead of on the equipment. As an added bonus, making peoples’ jobs easier backstage makes it more likely that you will be asked back to perform another show. The following tips will make life easier behind the scenes and to keep your audience pumped for your performance.
Listening to someone adjust sound levels and tune their strings and instruments is painful (and boring!) for your audience. Ask for a soundcheck on stage before your set starts, and ideally before the audience arrives. If there's any chance someone will change the settings on the equipment before your performance, try using some masking tape or stickers to remind you where the levels were at your sound check. There aren't many secrets in the music industry, but planning and preparation are nowhere near as common as they should be.
A running sheet is part set list and part schedule. When it's time to perform, the last thing you need to worry about is what song to play next, and what to say while you wait for the drum kit to be set up. The running sheet is useful not only for you and your band but also for the crews, sound and lighting technicians. Creating a running sheet only requires a little thought and imagination:
If you want the crew to set up the stage just the way you like it, and do it as quickly as possible before your audience cools, then give them a stage map. These maps do not need to be fancy or high tech, even a hand drawn map can greatly reduce confusion and setup time, hand the crew a map and answer their questions before the show starts.
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Jamie Davis-Ponce is a professional musician and graduate of Northeastern University's Master of Music Industry Leadership program with a concentration in entrepreneurship. She has been a music lecturer at Ithaca College, and is deeply involved in Boston-area arts and music organizations, having worked with ArtsBoston and held internships at Handel & Haydn Society and Boston Symphony Orchestra. Jamie is currently an administrator in the Professional Performance Division at Berklee College of Music. You can view more of her writing on her blog on Music, Business, and Creativity.