7 Songwriting Errors That Could Ruin Your Song

Posted by Caleb J. Murphy on Mar 27, 2019 06:00 AM

shutterstock_644504728(1)Image via Shutterstock

Songwriting is hard. It’s not easy for anyone, not even Paul McCartney.

“I don’t know how to do this,” McCartney told NPR. “You would think I do, but it’s not one of these things you ever know how to do.”

So it’s okay if you make a couple songwriting errors, as long as you’re able to recognize them and adjust. To help with that, here are seven common mistakes songwriters make that you should avoid.

1. Changing verb tenses

Switching among past, present, and future verbiage is a very common problem in beginner songwriters’ songs. It can really mess the whole song up. It could even screw up your melody’s cadence.

An example of this is using “did,” “does,” and “do” all in one song.

Carefully read through your lyrics and make sure you stay in one place and don’t time travel. You can even have a friend read the lyrics too. If they’re confused about the tenses, you’ll have to fix something.

2. Not giving enough info

In your head, you know what’s going on in the story, but if you don’t make that clear on paper (or screen), then the listener will be lost. So make sure you’re not skipping over crucial info that moves the story or idea along.

If the listener is lost, it doesn’t matter how cool of a melody or chord progression you have, the song as a whole will miss the mark. It won’t fully resonate.

3. Messing up pronouns

If you have multiple characters in your song, it can be difficult to navigate using “he” and “she” clearly. It can get really confusing really fast.

Go through your lyrics and make sure all of the pronouns allow the listener to clearly identify who is who and who’s doing what.

4. Losing focus

It’s so easy to lose focus in a song. I do it all the time (though I think I’m getting better at not doing it).

Usually, the second verse is where songwriters get lost thematically. Often it’s because you’ve said everything you wanted to say in the first verse, so when the second verse comes around, your grasping for words or pictures.

One thing that can combat this is outlining your song at the beginning. That way, when you get to the second (or third) verse, you know exactly what it will be talking about. You know what the focus should be.

5. Too many melodies

I know you have four really cool melody ideas, but that might be too many for the chorus. Try to use only the two best melodies in the chorus, then keep your verse melody simple.

If you use too many melodies, it’s hard for the listener (or you) to remember them all. It’s okay to repeat a melody -- it helps give the song structure and make the whole thing more memorable.

6. A pointless bridge

Just as it takes a lot of work to build a real bridge, so it is with a song’s bridge. If there’s no body of water to cross, why build a bridge?

Your song’s bridge has to have a clear purpose, or else it risks being pointless. It has to be something you absolutely need to say to tie the song together. If you don’t need to say it, leave it out.

Your bridge needs to make the song stronger, nothing less.

7. There’s no “big moment”

If your song has no “goosebumps chorus,” no big moment, you may need to reevaluate your melody.

One thing that can help your chorus stand out from the rest of the song is contrast. If your verse melody is in a low-mid register for you, make the chorus melody in the mid-high register (or vice versa). Likewise, if the verse melody has short, choppy syllables, open it up during the chorus and use more sustained notes.

If the listener can’t pick out the big moment of the song, go back to the melody and see how you can make it more impactful.


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Caleb J. Murphy is a songwriter and producer based in Austin, TX., and the founder of Musician With A Day Job, a blog that helps part-time musicians succeed.

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Topics: Songwriting, Honing Your Craft


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