In today’s world, musicians are expected to be a one-stop shop for their own marketing, production, PR, and everything in between. Long gone are the days of A&R managers, discovering your raw talented un-branded and undeveloped. As if it weren't hard enough to complete your demo, you also have to figure out how to promote it and when you should follow up.
Today, there are so many tools that offer ways to automate these added responsibilities, but they don’t handle everything. You still need a strategy and plan to know how you’re going to get your music out into the world.
Most audio engineers will tell you that there’s a right way and a wrong way to record music, and if you’re going into the studio to make an album, it’s worth taking the time to do things right. Not every great album, however, was recorded using the “right” methods. In fact, some of the greatest albums of all time were recorded in ways that would seem totally wrong to most experienced audiophiles. Here are some of the best examples of albums that used the wrong techniques to get the right sounds.
Many criteria go into choosing a producer. Style, studio equipment, and even personality all play a role. It's tempting to put on blinders and just assume any producer is perfect for your music, but that's simply not the case. Here are four warning signs that the producer you're working with might not be a good fit.
Not everyone can afford the thousands of dollars worth of tools to make stellar home recordings. The good news is you don't need them – a skilled craftsman can get the most out of simple tools.
If you hone your skills and broaden your knowledge, you can get by with the basic stuff you probably already own (assuming you have recording software and monitors). Here are just a few tips to help you along.